cool science-y inventions

Love these inventions by engineer/designer Chuck Hoberman-- small clip below, but click here to go to more, with interview.
via dear ada.

getting back to this...

Work in progress.

Something always gets put on hold when it's time to shift to Open Studios Mode...This painting was one of those things I was in the middle of, a month or more ago. So I'm getting back to it now.




Some other exciting developments are in the works--- more on that soon!!

oh, the possibilities

Here's a stack of old wallpaper samples, recently acquired via our friend Wendy Addison (of Theatre of Dreams Fame-- hey kids, now she has a blog!)
I'm guessing these samples will soon find their way into something...

And a shot of the colorful chaos of my collage area today.

another round of small

Yep, in the week (last week) immediately following Art at the Source, I was back at work on a new batch of small pieces, all including collage inspiration, this time on 8 x 10 plywood blocks. I'm still mostly using magazine materials, but once I work out some printer-computer issues, I plan to start using more of my own photos.

"unconscious art of demolition"

(to go straight to Lisa's work, see link at right)




These scenes are culled from a Flickr group called "the Unconscious Art of Demolition." There are many lovely 'found abstractions' over there.
I discovered it via a new favorite art blog to visit, the Studio Blog of Jen Bradford of Beacon, New York (Carol, Stephen-- do you know her?)

photos by: ex novo, bisy backson, meatspill.

Graton, via Google Earth.

I loooove exploring Google Earth, but it's been some time since I did so. Last night, when I couldn't sleep, it seemed like the thing to do.


First, of course, I flew on over to see how our little town looks from above, and spotted this little blue dot in town... Lo & behold, it represented a picture of a sculpture in our very yard! You can imagine how surreal this felt. I guess that we have literally been 'put on the map'.

Thanks to painterdking, of Toledo, Ohio, who, it appears, visited our studio in October of last year!

Chihuly at the DeYoung

Here's a show I'm totally looking forward to!
Dale Chihuly does gorgeous, often huge, blown glass installations. This show open this weekend (June 14 & 15) with free admissions, and lots of demonstrations and music and stuff.

There are a number of inspiring videotapes about him available; we particularly liked the one called 'Gardens & Glass' (of course) which we rented through Netflix.
And then that reminds me of our friend, the great glass (and garden) artist, Kim Webster...featured this weekend at 'Sculpture in the Garden' at the Ruth bancroft Gardens in Walnut Creek.

pics of paintings with plants

Well, Art at the Source is over for another year.
Back to work actually *making* stuff in the studio today!

Thank you all who came by-- we truly enjoyed talking with you, and meeting a bunch of new visitors along with those who've become 'regulars'!

And if you find yourself 'haunted' by a piece you just can't get out of your mind, drop us a line! We look forward to seeing you again in October at ArTrails.

look Ma, I'm in the paper!

Via the North Bay Bohemian, a reminder to come visit us on this, our final weekend of Art at the Source. Last chance 'til October rolls around.

This is the image that appeared in the AATS catalog. Original, 36 x 36, acrylic with vintage fabric, somewhat less yellow than you see here.

A few scenes from the first day...

at Open Studios '08.

Open Studios-- less than 24 hours!

inspiration

These are all pics I've shot over the last month or so in the yard, or on walks... assembled in a fast photoshop collage. You will no doubt recognize some of them in the little abstractions below. While the shapes were suggested by things in the immediate visible world, I like that they can become suggestive of things both much smaller and larger...

I was trying to remember a Picasso quote I've liked; what I remembered was: "I don't imitate nature, I work like her". A google search (of course) took me to his full quote, which follows.

The papier collé (collage) was really the important thing...one of the fundamental points about Cubism is this: not only did we try to displace reality. Reality was in the painting...We always had the idea that we were realists, but in the sense of the Chinese who said, “I don't imitate nature; I work like her.”

(click on this image to enlarge it)

small abstractions

I spent most of the winter & spring (well aside from that Burning Man deal) working abstractly, experimenting and generally having a good time. As you may (or may not) remember, in early winter I was doing small paint & collage pieces on paper. After a hiatus during which I did lots of other work on paper, I decided to continue the small pieces, but on wood panels (prepared by my lovely assistant). As you can see, the results were very different.
More of that intervening work will post soon.

bees & birds & botany

...a couple more paintings inching towards completion.

When Tony and I moved to Sonoma County five and a half years ago, we asked ourselves how the change (I had been living in a warehouse studio in an industrial neighborhood of Berkeley) might affect our painting.

We're much closer to nature--& our new place allowed plenty of space for me to indulge my urge to garden. As the garden grows, so ever more wildlife is enticed to visit, and is gradually showing up in paintings as well. Plant forms have long been there.

Some of the plants in these pieces-- mullein, honeysuckle, castor bean, and chickory, derive from a book entitled 'Common Weeds', though we grow most of them in the yard. I'm reminded of the quote: "A weed is a plant whose virtues have not yet been discovered", attributed to Emerson.

over on Tony's side...

Here's Tony workin' away at the other end of the studio, having fun with some smaller pieces... The one he's showing at the Sebastopol Center Preview Show appears at right.

Tiffany Bozic Film

Here's a beautifully filmed little piece (by Todd Bell) about Tiffany Bozic, and one of her paintings below...
via Juxtapoz online.

"cerulean warbler"

Open Studios coming up means a time for revisiting and finishing up pieces started perhaps some time ago. This little piece was started in October of last year.

For the bird I used as reference a photo from a series of 1897 magazines bound together in albums, and passed down to me by my mother from my grandfather's collections. I can't help but think how different the context was for the reader of these magazines in their day. Tucked into the books are articles on birds clipped from newspapers, and a handwritten list of bird names and sightings.

The painting is done on a bit of embroidered fabric, collaged onto a small canvas. The insects are recent arrivals on the scene.

(top image scanned right from the painting; below it is the whole piece; at left, pages from the magazines)

now showing @...

I have a small display of paintings (6 pieces, mostly 'stripe' series) up in a beautiful new architecture/design office in downtown Sebastopol, where friend Ken Berman's work is also on display. It's right around the corner from Screaming Mimi's (a local ice cream landmark), and a block or two from the Sebastopol Center for the Arts. I was tickled to see that a couple of the paintings show up here, in the background of Lars' card. (and Lars seems like a really nice guy, if you should need any architectural services!) Show organized thanks to Leslie of Frame of Mind! (one of Ken's pieces is seen to the right.)



Over at the Seb Center (as we like to call it) the preview show for Art at the Source is up, so that visitors can see works of art in person as they chart their course of art-viewing, catalog & map in hand.
There will be a reception with plenty of artists milling about this Friday-- er, tomorrow...

Rauschenberg R.I.P.

“I usually work in a direction until I know how to do it, then I stop. At the time that I am bored or understand — I use those words interchangeably — another appetite has formed. A lot of people try to think up ideas. I’m not one. I’d rather accept the irresistible possibilities of what I can’t ignore.” RR.

it's coming: Art at the Source

Yes, mark your calendars, it's coming around again-- another round of Open Studios, and a chance to visit during the peak of the bloomingest season in our yard...
May 31 & June 1; June 7 & 8.

I know it's been pretty quiet on this page, but I'll be starting to input more images as this event nears.
And better yet, if you can, come see the work in its native setting!

(above is the card I put together-- inadvertently matching my background color here quite closely. And if you click on it, you'll see some works in progress, BIG)